|
![[online petition for leonard peltier banner]](images/iconbanners/czenbanner.gif)
New website pages
Free Peltier!
New Czech Leonard Peltier web!
RED MAN's LEGACY AND THE STREET PARTY 2001
Translation of an article
posted in Czech independent webmagazine "Britské listy" (British
Papers), to which I had contributed
Authors: Bushka
Bryndová, Štěpán Kotrba, Lenka
Jonášová
![[Street Party 2001]](images/blackfire/streetparty.jpg)
Prague Street Party against Globalization
Last Prague Street
Party, which took place on June 16, 2001, was held under the sign of a desire of
thousands of young people to live in a city where streets would serve people and
their encounters, and not only vehicles. "Reclaim
The Streets" was the main call word of this meeting and a march across
the city of a thousand of participants. "The city suffocated with
exhaustion gases is not a place where we would want to live and bring up our
children" were saying young mothers to casual bystanders who attended
Street Party's end on Peace Square in Prague quarter Vinohrady. "Why is it
that there are no habitations for young people and why none of our politicians
is interested in this fact?" "Why they can't have their own clubs,
their own culture, so they wouldn't have to care only for profit made from
entrance fees in order to pay excessively expensive rent?" "Why should
money be a barrier to culture - why an indigent person couldn't also strive for
cultural self-realization?" "Are slums and dirty suburbs the only
thing that young people can expect?" "What future has a young person
in this profit-greedy society?"
Questions asked with the impatience of youngsters. Questions staying unanswered
in spite of government's declaration of being social-democratic and being a
government of the "lower ten millions" … Really? So, why these young
people have an impression that this government is not "their"? Is it
really only their fault?
Urban, Eco-social or Social Underground, how is sometimes called this movement
of young people (is not to be confounded with activities of anarchist or
anarcho-social groups, although anarchists, trockists and other similarly
oriented groups usually attend Street Party and other events), represents a
natural reaction of a part of youth to the excruciating character of market
mechanisms, destroying natural inter human relations and culture in big cities.
It is a natural reaction of those who do not wish or can't "keep up the
pace" in this mad and senseless gold-rush. It is not specific for post
-communist countries, although it has to overcome the defiance against any
protest meetings, any collective expression of discontent, to any sign of
emerging civic society, deeply rooted in their majority societies. But there is
a hope for the Czech Republic as the sharp edges of enmities are becoming
blunter and blunter, and so this year's Street Party was reminding more a
carnival than a battlefield.
This year's peaceful course of the Street Party was concluded by a night concert
in the club Squat Milada, started by Czech anarcho-punk
band AVERZE. The concert's “chef-d’oeuvre” became a performance of the
USA band BLACKFIRE (pictures).
Members of this musical band are three siblings from Navajo (Dineh – as they
call themselves) Nation – Jeneda (bassguitar), Klee (guitar, vocals) and
Clayson (drums). They are used to be called a punk-rock band, but their
expression reaches beyond the limits of this musical style as it includes
powerful elements of traditional Native American culture. Themselves, they say
that through their music they are willing to demonstrate that it is possible to
overcome differences – not only in origins, races, sexual orientations,
opinions – but also the differences between generations, which they prove
right on the spot by inviting their gray-haired father - a renowned healer and
medicine-man Jones Benally on the stage to sing with them. A spontaneous energy
flowing between the stage and the audience carries on the message of their anger
against the World which believes that all the Indians were since a long time
shot by John Wayne and the rest of them if any is dancing with the wolves
somewhere. Against the society, which is discriminating them and is trying to
convince them that the best thing to do for them would be to give up their
ancient culture and assimilate as “good” Americans. The society, which
highest value is money while their own traditional culture –perceived as
barbarian by Americans – has always put health and harmony with the nature at
the first place, same as it used to be in the case of most of the old
civilizations narrowly connected to the Nature. Nevertheless, they also carry a
hope in their hearts – the hope that people in the World will listen to their
voices and will fight for their own human rights and preservation of their own
cultures because we all are Native peoples somewhere and we should be able to
recall the wisdom of our grandfathers, who were still living in harmony with the
Nature – because only in this way could our civilization survive and stop
destroying itself. Because only in this way we can continue to be human beings.
|
![[Jones]](images/blackfire/jones.jpg)
|
![[Clayson]](images/blackfire/clayson.jpg)
|
|
Jones Benally on the
stage |
Clayson
|
|
![[Jeneda]](images/blackfire/jeneda.jpg)
|
![[Klee]](images/blackfire/klee.jpg)
|
|
Jeneda
|
Klee
|
What does the editor
and photographer of British Papers Stepan Kotrba say about the ending of the
Street Party? "It was cool. Music sets and people (our team included) moved
to the concert. That night's music in Squat Milada was so crazy that one was
threatened to become dumb - a proof of creativity of the sound technician, I
guess - and the consequence of small size of the underground concert hall. Or I
might be too old for punk-rock :o)), but punk is not dead, isn't it? My feelings
depended on the distance from the loudspeakers … Air inside Milada was heavy
and dump, one visitor, one bottle and at least one cigarette-box per one cube
meter of air. People were absolutely cool, funny and loquacious as the night
itself. With small breaks we have managed to keep up until half past one in the
morning, but after we gave up, swimming in sweat and catching breath. The
concert went on until three. Some tired young people were sleeping in front of
Milada on the plain ground, but it was quiet. I was feeling sorry for the
inhabitants of the Squat who were going to wake up prostrated visitors and clean
up broken bottles and cigarette-butts. Otherwise their dogs would cut their
paws. Some of the squatter-girls were clearly unhappy about all those visitors,
probably because of the thought on morning cleaning. But they were trying to be
courageous. I was sorry for my colleague Bushka Bryndova who kept the pace until
the early morning end…"
Their lyrics are expressing anger over the contemporaneous situation of Native
Americans in the USA, over the forced relocation of their Nation from one part
of their ancestral lands, where a big mining company supported by the US
government would wish to expand presently operated surface mining in the
worldwide largest coal strip mine located right at the border of their
reservation. Their pain over the indifference of present American society, which
would prefer to forget about the original inhabitants of this continent and is
continuing to treat them with almost the same ruthlessness and cruelty like
hundred years ago, believing that international community would just silently
ignore it. This could have been true only until the last decade, but with the
coming of the internet Native Americans had broken the medial insulation and
through its intermediary they managed to spread information on injustices and
misconducts of the US government of which they are victims. Indians already
know, how to get to the internet and not only that – more and more often they
travel around the World and spread awareness on the dirty human rights backyard
in the country, which itself pretends to be their greatest defendant and
guarantor. Blackfire have their own website on http://www.blackfire.net/,
where you can find also their CDs – including the last one with 15 songs,
which has surpassed all the precedent ones and is available to British Papers
readers for a download.
|
![[Milada1]](images/blackfire/squat.jpg)
|
![[Milada2]](images/blackfire/squat1.jpg)
|
|
Squat Milada |
The objective of
their European Tour 2001, which had started with two weeks spent in my country
– the Czech Republic – and Slovakia (where they participated also to
Bratislava Street Party) and is continuing across Germany, Switzerland, Austria,
France and Luxembourg is to make the European public acquainted with the
continuous oppression of their Nation by the US government and with other
controversial causes disputed by other Native American Peoples against the USA.
Including the case of the Native American activist Leonard Peltier, falsely
accused of murders of two FBI agents and sentenced to life-prison, who has
become blind of one eye due to the refusal of prison authorities to allow him a
surgery in a specialized clinic, and who is presently in a very poor health
condition after more than 25 years of imprisonment. Due to a refusal of
prison administration to allow him to undergo a surgery in a specialized clinic
he has become blind at one eye and after more than 25 years of prison he is
in a very poor health condition. Peltier's case was also being considered by the
former President of the USA Bill Clinton, but finally he refused to take any
initiative in the matter of clemency because of the cause of Monika Lewinsky.
An integral part of Navajo shows in the course of the Czech and Slovak Tour were
author readings from the Czech translation of Peltier’s book “Prison
Writings: My Life Is My Sundance” by translator and publicist Bushka Bryndova.
These readings were part of the Czech contribution to Peltier’s Month of
Awareness initiated by the LPDC.
|
![[Cteni1]](images/blackfire/cteni1.jpg)
|
|
Prison Writings in the
Squat
|
|
![[Cteni2]](images/blackfire/cteni.jpg)
|
|
Last
Prison Writings reading at traditional dances show |
Benally’s brothers
and a sister were born in a traditional Navajo family. Navajo people live in the
largest Native American reservation including the most of Arizona and
territories in states of Utah, Colorado and New Mexico. Benally’s belong to
the most renowned and respected Dineh families, the grandmother of Blackfire –
Roberta Blackgoat - is well known as a legendary figure of Navajo resistance to
the US government relocation efforts and is one of the last 300 mostly
elder persons refusing to obey eviction orders and continuing to live in the
disputed area of Black Mesa, which borders match too exactly with borders of the
coal deposit which has given the name to this Navajo band. “Black fire” in
Dineh language means burning surface deposits of coal, which is a common
phenomenon in the arid mesa where Navajo people live, breeding their livestock
and growing those few plants which can yield in this water-scarce environment
unfavorable to intensive agriculture. The father of Blackfire members is a
renowned traditional healer and medicine-man, traditional dancer and musician
who is transmitting his extensive experience and knowledge received from his own
ancestors to his children and together they are performing examples of
traditional dances and ceremonies of Dinehs under the name of “The Jones
Benally’s Family”. Their second show - this time of traditional dances - in
Prague the day following the Street Party on Strelecky Island was performed in
traditional regalia. Dance of Eagle, of Spears and Shields, Gourd and Swan
dances... Father Benally was accompanying his children an a drum and and as
usually crowned the show with the healing Hoop Dance. He was enclosing himself
into hoops forming complex figures with the volubility of an escape artist – a
ceremony which has for aim to heal the patient and re-establish a harmony in his
relationship with the Universe. At the end Navajos has made all the audience
(over 200 persons) to dance in an enormous circle of the Friendship Round
Dance, accompanied by drumming and singing of the old medicine-man. Their
message has arrived to the right address – we all are ONE!
Navajo traditional dances
performed by The Jones Benally's Family in Prague
Pictures are courtesy of:: © 2001 S. Kotrba http://www.blisty.cz/
Background of the forced
relocation of the Navajo Nation
In 1974 a legislation
was initiated to settle supposed “range war” between Navajo and Hopi
Nations. It enacted the forced removal of over 14 000 Navajo families from
their traditional homelands. Today a handful of Dineh people of all ages are
resisting relocation and now facing the threat of “imminent force removal”
by US agents pressured by the Hopi Tribal Council. Tribal Councils were
initially created by the Bureau of Indian Affairs to access resources on Tribal
lands. Under Black Mesa lies North America’s largest coal deposit. The fence
dividing the disputed land almost completely outlines the estimated coal
deposit. Coincidence? Instrumental in creating the relocation act, a Mormon
lawyer named John Boyden was working with the Hopi Tribal Council representing
them on their mineral rights. At the same time he was also working with Peabody
Coal Company, the coal company now operating on the border of the “disputed
area”.
Peabody Coal is the World’s largest strip mine (103 sq miles) and is currently
seeking to expand into the disputed lands. To save money shipping coal, a 275 mile
coal slurry pipeline pumps over 1,5 billion gallons of water from aquifer
beneath Black Mesa. The draining of this precious aquifer from these arid lands
drastically undermines the sovereignty and lives of both Hopi and Dineh. Many
traditional Hopi expressed that they are not represented by the Hopi Tribal
Council, many have said that this is a fabricated dispute. Over the last 27 years
the Hopi Tribal Council has continuously played the role of the victim in an
illusionary crime, while committing a very real and serious crime against the
very people they claim to be criminals. Roger Lewis, one of the federally
appointed officials of the Relocation Commission who resigned over the years
said: “I feel that in relocating these elderly people, we are as bad as the
people who ran the concentration camps in the World War II.”
In 1996, a settlement was proposed called the “Accommodation Agreement
(AA)”, which is basically a 75 year land lease agreement. This agreement was
created without the voice of many it would effect. Those Dineh that have signed
the AA have no representation in the government that presides over them. If
three terms of the AA are violated, they will be evicted. Some examples
are: the signers are not allowed to bury their dead on the land, visitors are
required to have permits, and signers must get permits to gather green wood
(which in many cases is necessary for ceremonies). Therefore, forcing the
traditional Navajos to become tenants, and second class citizens, of their own
homeland. Those Dineh who did not want to sign this document that clearly
violated human rights, are currently facing forced eviction. If the traditional
teachings of the Hopi, the people of peace, say that they cannot own the land,
then why is there a dispute over land? Something doesn’t add up here. Those
who put profit over life, those who seek economic gain over harmonious
existence, who’s greed ultimately creates imbalance and destroys – they are
the real criminals! Forced relocation of a people is a crime against humanity.
Time is critical for the Navajo people still resisting relocation.
Navajo
people need your help – your signatures under petitions for their cause and
form letters to be sent to the US administration. More information in Czech
language is to be found on my website:
http://www.bushka.narodni.cz/peltier/bigmountain.html
and in English on http://www.blackmesais.org/
and http://www.hoganview.com/.
NAVAJO
BAND BLACKFIRE IN THE HEART OF EUROPE
Program of the European Tour 2001
![[poster]](images/blackfire/poster.jpg)
Courtesy
of Ivan Macenauer© 2001
English
translation of the
original article in Czech language by Bushka
Bryndova
![[hr]](images/abstrrul.gif)
PREVIOUS
TOP
NEXT
![[hr]](images/abstrrul.gif)
In the Spirit of
Crazy Horse
|